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Paul Halley’s letter to the audience in the program notes for the
King’s at the Cathedral Series: “For All The Saints” concert
featuring
Rachmaninov’s “All-Night Vigil” (Vespers).

The Chapel Choir
of the University of King’s College
with Ensemble Regale 

Cathedral of All Saints, Halifax, Nova Scotia
Wednesday, November 6, 2011 - 7:30 pm
(In the Octave of All Saints) 

Dear Friends,

Thank you for joining us for this, our third annual concert entitled “For All The Saints”. I write this on the night of All Souls. The Chapel Choir has just sung the Fauré Requiem at our Solemn Eucharist during which we were particularly mindful of the faithful departed from the King’s community at whose requiems we sang this year – Robert Crouse, Peggy Heller, and Jane Curran.

As you may know, the choir performing for you this evening is privileged in many ways, but first among them is the opportunity they have every week of term to sing God’s praises at the services in the Chapel at King’s. Last Thursday they sang at the Solemn Eucharist in commemoration of Saints Simon and Jude, patron saints of desperate cases and lost causes. Needless to say these are saints dear to the heart of the King’s community. At this service we were blessed with a sermon from our Chaplain, Fr Gary Thorne. I can think of no better way of bringing you into the heart of Rachmaninov’s masterpiece which you will hear this evening, than to quote directly from that sermon.


“In just over a week the choir will sing Rachmaninov’s “All-Night Vigil”. It has been said that no composition represents the end of an era so clearly as this liturgical piece. With the Revolution, music of the Orthodox Church was to survive only as a ‘cultural’ phenomenon, if at all.  

I hope that as the choristers prepare to sing the “All-Night Vigil” they will remember that generally this piece signals the last time for almost 75 years that these liturgical texts would be sung to God’s glory freely and fully in Russia and later the Soviet Union. Just two years after the composition’s premiere in 1915 the Revolution would begin to call such liturgical texts “antiquated” and “obsolete” – “the opiate of the masses”. The officials would increasingly claim that religion prevented human progress and enlightenment. ‘Fanatics’ who persisted in believing in God were at the risk of being labelled mentally ill, consigned to the inhumane conditions of mental hospitals or sent to labour camps.  

During the Stalin years alone (1924-1953) 600 bishops, 40,000 priests and 120,000 monks and nuns were killed. Many died in the harsh conditions of prisons or labour camps; others were shot or buried alive. Literally millions of ordinary Orthodox believers died in prison camps, or suffered indescribably during interrogations. The finding of an icon was often sufficient proof.  

In dying they sang the praises of their God – and He did not abandon them. In dying they dared to sing the very same words that the choir will sing at the Cathedral. Indeed, because they dared to sing these words they were tortured and killed. I wonder if the choir might think of singing the “All-Night Vigil” in such a bold and beautiful and intentional way as to honour those for whom to sing these words meant martyrdom in the 20th century.”

            As usual our Chaplain and pastor has challenged us to go deeper into the music than might be comfortable or convenient. I’m afraid this challenge probably extends to you, our audience and supporters. In fact it is a call for each of us, in the words of poet William Stafford, to “be awake – for the darkness around us is deep”. This darkness takes many forms – some clearly sinister, such as the Stalinist variety, some more subtle. But there is no doubt about which way to turn when the darkness descends. According to the Great Doxology – “in Thy light we shall see light.”

The saints have turned away from darkness even in the midst of trial and persecution. They have chosen to be awake, to keep watch, even at the cost of their lives. It is their open eyes that reflect the light of the world, the light to lighten all people. With them we sing in one blest communion, one fellowship divine. 

Paul Halley

 

   
 
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Paul Halley
MA (Cantab.)
FRCO
ARCT

      
Grammy-winning 
composer,
conductor,
performer

 

Current

Co-Founder and
Creative Director
Pelagos Incorporated

Owner and
Artist/Composer
Back Alley Music

Director of Music
University of
King's College Chapel
Halifax, Nova Scotia

University Musician
Atlantic School
of Theology
Halifax, Nova Scotia
 

 

     
    Previous Comments
Click on item below to link to PDF

"For All The Saints 2010"
November 3, 2010 - Halifax, NS
Paul Halley's note to the audience
in the concert programme booklet

Letter to the audience for
King’s at the Cathedral Series
“For All The Saints 2011” concert
featuring ‘The Requiem’ by Maurice Durufle.
November 3, 2010


_____________________________________
"Pipes Around the Pacific
Orgues Autour du Pacifique"

Paul Halley delivers the Keynote Address
to the Plenary Session of the
Royal Canadian College of Organists
2010 Convention, Victoria, BC
July 18-22, 2010, Victoria BC, Canada
Address "
The Examined Life" by Paul Halley

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“A King's Christmas 2009”
featuring
The Chapel Choir
of the University of King’s College
with
special guest, Suzie LeBlanc, soloist
and Dr. Neil Robertson, narrator.

Cathedral of All Saints, Halifax, Nova Scotia
December 13, 2009

Paul Halley’s letter to the audience
in the program notes for A King's Christmas 2009


_____________________________________
"For All The Saints 2009"
November 7, 2009 - Halifax, NS
Paul Halley's note to the audience
in the concert programme booklet

Letter to the audience for
King’s at the Cathedral Series
“For All The Saints 2009” concert
featuring ‘The Requiem’ by Gabriel Faure.
November 7, 2009

_____________________________________
Paul Halley reviews the program,
thanks the choir and his new assistant, Nick Halley,
and describes things to come at St. George's...
all with his inimitable humor.

Annual Report of The Director of Music
to St. George’s Anglican Church, Halifax, NS
January 26th, 2009
    

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"A King's Christmas"
December 12 and 14, 2008 - Halifax, NS
Paul Halley's note to the audience
in the concert programme booklet
Remarks in 'A King's Christmas'
programme booklet
December 12 & 14, 2008



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"A musician's Remembrance Day quandary"
Paul Halley,  in a recent interview with Paul McLeod
of
METRO HALIFAX, November 10, 2008.

Interview with Metro Halifax
St. George's Anglican Church
November 10th, 2008
 

_____________________________________
In his report to the annual meeting
of King's College Chapel, Halifax,
Paul Halley describes his first year on the job.


Report Of The Director Of Music
King’s College Chapel
April 10th, 2008


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Many of you continue to ask what prompted
Paul Halley's move to Halifax in 2007, and you
may have enjoyed Paul's rather hilarious
description of his first year on the job as
Director of Chapel Music at
the University of King's College.

Here is a transcription of Paul's interview
with Jonathan Bruhm,
Communications Director at King's,
January 2007, on precisely that question.



Paul Halley: An interview with Jonathan Bruhm,
Communications Director,

University of King's College, Halifax
, NS
January 9, 2007
 


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