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TRACKS
Total Album Time 53:26
1 - 5
Love Songs
For Springtime
Words:
Anon.
Music:
P. Halley
1.
◙♫
The Maypole
2.
◙♫
The Bailiff's Daughter
3. ◙♫
Soldier, Won't You
Marry Me?
4. ◙♫
The Despairing Lover
5.
◙♫
The Lover's Arithmetic
6.
◙♫
Gloria In
Excelsis Deo
Words:
6th cent.
Roman rite
Music:
P. Halley
(PEL2001)
7.
◙♫
Christe Qui Lux
Es Et Dies
Words:
6th cent. Latin
and E.N. West.
Music:
P. Halley
(PEL2019)
Soloists, in order:
Floyd Higgins
Nathaniel Rogers
Bruce Fifer
Peter Coulianos
Marilyn Holcomb
Julie Bickford
8.
◙♫
Jesu, The Very
Thought of Thee
Words:
12th cent. Latin,
trans. E. Caswall
Music:
G. Slater
arr. P. Halley
(PEL2007)
9.
◙♫
Verbum Caro
Factum Est
Words:
John 1:14
Music:
P. Halley
(PEL2012)
Soloist:
Vanessa Halley
10.
◙♫
What Stood Will Stand
Words:
W. Berry
Music:
P. Halley
(PEL2047)
Soloists, in order:
Wilbur Pauley
Bruce Fifer
Samantha Halley
Emily Werne
11.
◙♫
Wondrous Love
Words &
Music:
Southern Harmony
arr. P. Halley
(PEL2006)
Items with catalogue numbers indicate that published octavos are
available.
All compositions
by Paul Halley are
©
Back Alley Music
(ASCAP)
Catalogue No.
JN104 CD $16.98


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DESCRIPTION
Halley directs his "home team" in spirited performances of the popular suite Love Songs for Springtime, and the magnificent setting of the Appalachian hymn Wondrous Love. Also featured are several of Halleys sacred compositions, from the intricate and rhythmic Christe Qui Lux Es to the lush and lyrical hymn-anthem Jesu, The Very Thought of Thee,
and the majestic "What Stood Will Stand".
REVIEWS
from The American
Organist Magazine
(Excerpt) "Paul Halley as a choral composer
comes to the fore on the third disc, Wondrous Love (1996). Featuring five
settings of anonymous English love songs scored for choir and brass quintet
followed by six mostly a cappella settings of sacred texts, this recording
manages to showcase the blended choirs in a range of moods without the
jarring segues of the first disc. Of the six recordings here under review,
this and the preceding title are perhaps the most consistently on-target in
meeting the stated goal of "superlative performance of classical choral
masterworks." Particularly successful on Wondrous Love are the
humorous "Soldier, Won't You Marry Me?" and Halley's unforgettable setting
of the text, What Stood Will Stand," by America's favorite pastoral poet and
philosopher, Wendell Berry. The ease with which the composer moves between
styles as disparate as Gregorian chant and shape-note hymnody - all the
while tying it together with his own unique sound - is most impressive.
Organists interested in tracking the development of one of their own rising
stars will certainly want to give this disc a listen."
- Jennifer Kolmes
from The Journal
of the Association of Anglican Musicians
"The
children and adults sing not only with coherence but with admirable
freshness of sound."
- Victor Hill
from Bob Zeidler,
Music Critic
Amazon.com Reviews
and New York Times On The Web Classical Music Forum
"Most of the choral music in this excellent anthology is new to me. The
musicians, however are not. Paul Halley, for many years both the
Director of Music at the Cathedral of St. John the Divine in New York
and a member, composer and arranger of the Paul Winter Consort, is very
much a known - and talented - musician. And his Gaudeamus adult choir
have performed with great skill on "Sacred Feast" and with humor and
moving vocalism on "Pete" (the quintessential Pete Seeger album), both
reviewed elsewhere at Amazon.com by me. One of the songs in this album
is, on the other hand, something I've come to treasure for sentimental
reasons; I'll leave that one for the end of this commentary.
The
opening suite of five songs ("Love Songs for Springtime") is alternately
sweet and droll. Particularly humorous is "The Lover's Arithmetic"; you
won't have any difficulty following the mathematics set out therein,
given the crystal-clear enunciation of these singers.
The more liturgical pieces in the center of the album are all fine, and
beautifully done. Of these, one stands out in particular relief: "Jesu,
The Very Thought of Thee." It is simply drop-dead gorgeous, with
Halley's pipe organ providing a stunning backdrop and underpinnings to
the chorus.
The album ends with two selections in a more
"heroic" mode: "What Stood Will Stand," set to words by Wendell Berry,
the famous poet and social critic, and the title song, "Wondrous Love"
(from The Southern Harmony hymn book).
This
title song, with its dramatically open harmonies, had been a favorite of
the late, great Robert Shaw. (In fact, at the memorial tribute given to
Shaw in Atlanta shortly after his passing, this song had been
prominently featured in the tribute.) Halley's arrangement, utterly
dramatic in contradistinction to Shaw's a capella setting, is a tour de
force and - if one is needed - the one
single reason for acquiring this
album. Stunningly set for chorus, brass quintet, timpani and percussion,
and organ, Halley's arrangement brings forth the heroic dimension of
this work. The Battell Brass are uniformly excellent in the work, Gordon
Gottlieb (long a Paul Winter Consort "regular") is his usual astounding
self in the vital percussion parts, and Halley of course underpins the
whole work, once again, with his organ work.
I don't think there's a track on this album you won't like. But get it
for its title work; it's more than worth it for that alone."
- Bob Zeidler
CREDITS
Artists
Chorus Angelicus
and Gaudeamus
Directed by
Paul Halley
Paul Halley, pipe organ
Elizabeth Allyn,
recording accompanist
The Battell
Brass
Jay Lichtmann & Claire Newbold, trumpets
Bob Hoyle, french horn
Scott Cranston, trombone
Stephen Perry, tuba
Gordon Gottlieb, tympani & percussion
Production
Produced by Tom Bates &
Paul Halley
Margaret Race,
Executive Producer
Tom Bates,
Recording Engineer
Tommy Skarupa, Assistant Engineer
Choirs and brass recorded at
Salisbury School Chapel,
Salisbury, CT
Pipe organ recorded at St. Joseph's Cathedral, Hartford, CT
Kerry Gavin Studio,
Art Design and Production
Margaret Race,
Creative Supervision
Special thanks to
Elizabeth Allyn, Jim Barrett,
Nell Bates, and
Floyd Higgins
Choirs
Chorus Angelicus
Elena Barrett
Katie Besançon
Julie Bickford
Robert Bickford
Kate Campion
Laura Gill
Nicholas Halley
Samantha Halley
Ellen Hamm
Marie Laser
Celeste Lodevole
David Lovendale
Wootie Mitchell
Liz O’Meara-Goldberg
Nathaniel Rogers
Melissa Ryan
Joe Sosnicki
Julia Torrant
Keelan Watlington
Emily Werne
Burton Winn
Gaudeamus
Sopranos
Maribeth Diggle
Becky Goodenough
Vanessa Halley
Marilyn Holcomb
Renee Louprette
Margaret Race
Karen Sovak
Altos
Molly Ackerly
Cindy Burnham-Shaw
Gretchen Collins
Phyllis Diggle
Katherine Griswold
Maria Hislop
Teri Padua
Patricia Ryan
Deborah Storrs
Tenors
Chris Best
James Boratko
Peter Coulianos
Chris Goodenough
Floyd Higgins
Robert Lovendale
Ernest Sinclair
Basses
James Barrett
Corey Bush
Starr Cole
Bruce Fifer
Philip Mees
Wilbur Pauley
C. Archer Woodward
Gregory Zabielski
© 1996
Paul Halley/Joyful
Noise Inc.
Paul Halley, Joyful Noise Inc. Artistic Director
Margaret Race, Joyful Noise Inc., Executive Director
All Rights Reserved
Made in USA |
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